Memories of the Bellefonte Central Railtrail Website →

In this place-based project, my collaborator, Richard Agbeze and I explored the potential for sound-based art to reveal forgotten histories, colonial legacies, the impacts of capitalism, and the temporality of a place. We examine how sound can disrupt normative assumptions about a place, creating new modes of engagement and understanding around its histories of exploitation and exclusion. Our primary methodology for this exploration is sonic hauntology.  

Click the link above to navigate to the project website and the sonic artwork.